Remembering Sorel Etrog, Towering Figure in Canadian Modern Art (1933-2014)

28Feb14
Sorel Etrog in Seoul. Photo courtesy of Eva Varga.

By    –   February 27, 2014

The Canadian art world lost a major contributor this week with the passing of Sorel Etrog, a Toronto-based artist who represented Canada at the 1966 Venice Biennale and designed Canada’s iconic Genie awards statue.

To many, Etrog was Canada’s pre-eminent Modernist sculptor, typifying a 1960s moment when Modernist sculpture was breaking through to wider acclaim in galleries and public spaces worldwide.

“I am truly saddened to learn that Sorel Etrog, a great Canadian artist, has passed away,” Art Gallery of Ontario director Matthew Teitelbaum said in a gallery statement. In 2013, the AGO produced a hometown survey of Etrog’s work, which Teitelbaum indicated was that of “a sculptor, painter, draughtsman, filmmaker and writer.”

“Sorel was one of the most multifaceted artists of his generation,” Teitelbaum continued. “His deep and ongoing search for ways for us all to connect will be visible for generations to come in Toronto, the city he loved, where several public installations of his sculptures have left an indelible mark on the urban landscape and our public imagination.”

Indeed, Etrog’s public artworks can be found in many locations across Canada. This includes his Sunlife on University Avenue in Toronto, The King and Queen at the Windsor Sculpture Park, Survivors are Not Heroes outside of Hart House at the University of Toronto, and Flight on Wellington Avenue in Ottawa. (The latter sculpture was originally designed for the Canada Pavilion at Expo 67.)

The Toronto Star has reported that more than 100 pieces of Etrog’s art are also due to be featured as of early 2015 in a new sculpture garden at Mount Sinai Hospital in Toronto, and his sculpture Standing Figure (Madonna) is also currently on view in the AGO’s Frank P. Wood Gallery.

According to the website of Toronto dealer Christopher Cutts, Etrog was born in 1933, leaving his native Romania for Israel in 1950 where he studied at the Tel Aviv Art Institute. He came to North America when he was awarded a scholarship to study at the Brooklyn Museum of Art in New York. In 1959, he had his first Canadian solo exhibition at Gallery Moos in Toronto, which was his dealer for several decades. In 1963, Etrog left New York for Toronto and later became a Canadian citizen.

According to Cutts, much of Etrog’s gaining of a foothold in Canada had to do with the support and interest of Toronto collectors Sam and Ayala Zacks, who acquired Etrog’s work during his New York student days. At one point, Etrog’s studio was in the Tip Top Tailors building on Toronto’s lakeshore, a structure which is now a condominium.

“My memories of Sorel are great,” Cutts says, conveying remembrances of a hardworking, vital and charming artist who spent the days sketching when they were both in Berlin for an art fair some 15 years ago. “He was fantastic, full of life,” Cutts recalls.

Over the years, Etrog’s work was included in group exhibitions at the National Gallery of Canada, the Carnegie Museum, the Museum of Modern Art and the Guggenheim Museum, among other significant institutions, and it was collected by many of same.

Etrog also wrote plays, poetry and non-fiction, as well as created book illustrations for Eugene Ionesco and Samuel Beckett in the late 1960s. He also collaborated with Marshall McLuhan on the publication Spiral.

SCENES FROM A DOWNWARDS PARABOLA INTO SLEEP

Marshall McLuhan by Sorel Etrog

Source: http://tinyurl.com/m44vp5h   –   Toronto Star Obituary: http://tinyurl.com/kdukd57   –   Recent Posting on this blog http://tinyurl.com/qdf7q8l

Addendum March 17, 2014 – from the Toronto Globe & Mail Obituary, SOREL ETROG ARTIST, 80:

Artist Sorel Etrog’s life and work embraced the complexities and contradictions that make us human. The eminent Canadian philosopher and educator Marshall McLuhan, one of Mr. Etrog’s many notable collaborators, wrote of the artist, “His work is always multi-levelled and multi-sensuous in ways that are not easily described in conventional literary terminology.” By engaging us with imaginative tools and observations drawn from the world, artists such as Mr. Etrog express the ideas and thoughts we share, but also offer a point of departure. ( http://tinyurl.com/o7jkz8s )

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