Special Issue of Amodern Online Journal on Harley Parker, McLuhan Collaborator

28Nov15

Harley Parker (1915 – 1992)

Amodern, a Canadian peer-reviewed, open-access scholarly journal devoted to the study of media, culture, and poetics, has just published a special edition on Canadian artist, designer, curator, professor and scholar – a frequent collaborator with fellow Canadian and communications theorist Marshall McLuhan (Wikipedia), edited by Dr. Gary Genosko, of the University of Ontario Institute of Technology (UOIT). The journal’s homepage is at http://amodern.net/ . The following is Gary’s opening paragraph to his Introduction to this special issue:

HARLEY PARKER – Gary Genosko

Harley Parker was born in Thunder Bay (then Fort William), Canada in 1915 and spent his youth there, graduating from high school and then in a compressed one-year degree from a local technical institute. He studied at Ontario College of Art (OCA), where he excelled, graduating in 1939, and between 1940-42 he took up posts at Cooper and Beatty and T. Eaton and Co. in Toronto as a typographic designer. His typographic skills and experimental style would prove to be dazzling, to which two of his later collaborations with Marshall McLuhan would attest, first in the guise of Explorations 8 (Verbi-Voco-Visual Explorations) (October 1957), and later in the book Counterblast (1969). After serving in the Canadian military from 1942-45 where he was Sergeant Instructor to the Camouflage Wing, he returned to take up a teaching post at OCA where he remained until 1957 when he joined the Royal Ontario Museum (ROM). During his second year back at OCA he pursued a post-graduate course at the Summer Arts Institute of Black Mountain College in Asheville, North Carolina. That year (1946) Bauhaus professor Josef Albers taught color theory and Parker took his class. Parker’s career as Head of Exhibit Design at the ROM lasted until June 30th, 1968, after completing most of a year-long leave of absence. The ROM’s employee card put the matter dryly: “Did not return.” During his leave Parker accompanied McLuhan to Fordham University where he took the post of Associate Professor in the Albert Schweitzer Program, during McLuhan’s year there as a research chair. Parker would later occupy the first William A. Kern Chair in Communications at the Rochester Institute of Technology (1973).

The full article can be read here and a PDF of it can be downloaded: http://amodern.net/article/harley-parker/#pdf .

The following articles are included in this journal issue. Click on each title to access and/or download the PDF:-

About Harley Parker: http://harleyparker.ca/

The following earlier postings on this blog include information about Harley Parker:-

Distant Early Warning Line Card Deck (1969) – which was co-designed by Parker: https://goo.gl/gBQtkF

Explorations: Studies in Culture & Communication (1953-59) – https://goo.gl/zTQwcg

“Counterblast” by Marshall McLuhan & Harley Parker, 1969 – https://goo.gl/0XU5jx

A Symposium: Harley Parker & the Challenge to Curatorial Authority, Oshawa, ON – https://goo.gl/6FpebI 

About Dr. Gary Genosko – http://goo.gl/JWYGRa 

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