Marshall McLuhan’s Influence on Later Media Theory
Marshall McLuhan and the author of this essay in the Valade Family Gallery at CCS (Photo: Matt Raupp).
The Medium is (is not) the Message: Marshall McLuhan and His Legacy
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“The Medium is the Message” is perhaps one of the best known aphorisms of Canadian media guru Marshall McLuhan. Among his most influential books include: Gutenberg Galaxy,a study of the influence of moveable-type printing on culture and human consciousness; Understanding Media,a more comprehensive study of the ways in which various media, especially the electronic, affect society; and The Medium is the Message,an inventory, as its subtitle suggests, of the effects of different media on the human sensorium, co-authored with graphic designer Quentin Fiore.
Media, McLuhan holds, are not just technologies that humans invent but the means by which humanity is itself reinvented. Emerging in the early 1960s, McLuhan’s understanding of media, and more particularly the condition of mediation, contrasts with most mainstream theories up to that point. (An exception was Harold Innis, a professor of political economy at University of Toronto whose books Empire and Communication and The Bias of Communication, influenced McLuhan early on.)
A good example of then mainstream thought is Harold Laswell’s famous model of communication from 1948, which understands the process of mediation with the formula: “WHO says WHAT in WHICH CHANNEL to WHOM to WHAT EFFECT?” Theories in this vein are also known as Hypodermic Models, which view the process of mediation as proceeding in one direction, from the encoder of message through the medium of communication to the receiver with the content essentially injected into the mind of the intended recipient. The Hypodermic Model sees media as transparent, i.e., a membrane to be looked through to the content, with the message being affected by the “noise” a medium might embody to distort the sender’s “true” message. This perspective often sees mass media, in particular, as a tool of indoctrination, an apparatus for, to use Edward S. Herman and Noam Chomsky’s term, “manufacturing consent,” in modern liberal democracies as well as in authoritarian regimes.
This perspective goes back to the Greeks, particularly to Plato who in The Allegory of the Cave denigrates mimesis as an imperfect representation of the Truth of the Ideal Forms and also in Phaedrus where he quotes Socrates as being critical of writing as an interruption of the direct communication of soul-to-soul intercourse. (The irony is that we know this because Plato wrote it down.)
McLuhan’s Tetrad of Media Analysis
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