Donald Theall, born in Mount Vernon, New York, took his B.A. from Yale University in 1950, and his M.A. and Ph.D. from the University of Toronto in 1951 and 1954. He rose through the ranks from Lecturer to Professor at Toronto from 1953 to 1965, being Chairman of the Combined Departments of English there in his final year. In 1962 he edited and annotated selected poems of Pope for the last print edition of Representative Poetry.

After becoming Chairman and Molson Professor, Department of English, McGill University from 1966 to 1973, and then Founding Director and Molson Professor, Graduate Program in Communications, from 1974 to 1980, Theall joined Trent University in Peterborough as President and Vice-Chancellor from 1980 to 1987, University Professor from 1987 to 1994, and University Professor Emeritus from 1994. During this period he served on the Board of Directors, International Communication Association (1979-81), as Founding President, Canadian Communication Association (1978-80), as First Cultural Exchange Professor, Canada to the People’s Republic of China (1974), and as Co-Director, National Film Board of Canada/McGill University Summer School on Media (1967-71).

He has published widely on communication theory, Marshall McLuhan, poetic theory, James Joyce, T. S. Eliot, Wyndham Lewis, Science Fiction, Film Theory, Alexander Pope, satire, Harold Innis, virtual reality (VR), and Cyberspace, including “Beyond the Orality/Literacy Dichotomy: James Joyce and the Pre-history of Cyberspace” in Postmodern Culture (1992). His recent books include The Virtual Marshall McLuhan (McGill-Queen’s University Press, 2001), James Joyce’s Techno-Poetics (University of Toronto Press, 1997), Beyond the Word: Reconstructing Sense in the Joyce Era of Technology, Culture, and Communication (1995). He has also guest-edited a Special McLuhan issue of the Canadian Journal of Communications in 1975 with G. J. Robinson and has published The Medium is the Rear View Mirror: Understanding McLuhan (McGill-Queen’s University Press, 1971).

A pioneer in computing in the humanities, Donald Theall has made an extraordinary contribution to literature on-line with his Web version of James Joyce’s Finnegans Wake and Ulysses. (Source: https://goo.gl/MCVRWH)

      

As a tribute to his contributions to education over the years, Dr. Theall was presented with a Doctor of Sacred Letters, honoris causa from the University of St. Michael’s College in 2006. Dr. Theall joined Trent University as president and vice-chancellor from 1980 to 1987. He stayed on at Trent as a professor until his retirement in 1994, when he was granted the title of professor emeritus. Following a brief illness, Dr. Theall died at the Peterborough Regional Health Centre on Wednesday, May 14, 2008.

Donald Theall (L) & Marshall McLuhan at St. Michael’s College, 1955


For beginners studying Marshall McLuhan’s ideas, I usually recommend that they read the famous Playboy interview (1969) in which he is resolutely cogent and unambiguous for a non-academic reading audience, proving that he could be that when he wanted to be. You can download a PDF of it here https://goo.gl/13QXas.  Second, I recommend that they read his The Medium is the Massage (1967) in which he explains many of his ideas in a simplified and illustrated manner. But, if you want to read from secondary sources, here are three that I can recommend which happen to all be by the same author.

   

McLuhan for Beginners 

By W. Terrance Gordon

Marshall McLuhan pioneered the study of the media and is now making a comeback, despite the fact that he died in 1980. McLuhan was a professor of English who loved James Joyce, hated television, played himself in Woody Allen’s Annie Hall, and fired off ideas like a machine gun. If he were alive today, he would want to continue infuriating a world moving into the 21st century with 19th-century perceptions. This book is described as a “documentary comic book” that explains his ideas but doesn’t take itself too seriously. (Source: https://goo.gl/iRYw7X)

Everyman’s McLuhan

By W. Terrance Gordon
Anyone who has ever considered media and its relation to humanity has most likely heard the name Marshall McLuhan. Famous for his adages, he was a careful student of 20th-century media, and a prolific lecturer and author. Unquestionably, McLuhan’s writings are important, but all too often impenetrable. As technology speeds ahead and forces us to reconsider our relationship with it, McLuhan’s career merits a creative and accessible examination. W. Terrence Gordons Everyman’s McLuhan does just that. As McLuhan’s official biographer, Gordon is the perfect man to decipher the more confusing and problematic aspects of the McLuhan legacy. By applying McLuhan’s ideas and theories to the realities of 21st-century technology and media, like phones that play films and computer chip implants, Everyman’s McLuhan fosters a dialogue that was important when McLuhan was alive, but is even more relevant today as the line blurs between humans and the technologies we use regularly. (Source: https://goo.gl/yw7vLH)
Presented in the visual and print manner of The Medium is the Massage, this book is extensively illustrated throughout.

McLuhan: A Guide for the Perplexed

By W. Terrance Gordon

Marshall McLuhan was dubbed a media guru when he came to prominence in the 1960s. The Woodstock generation found him cool; their parents found him perplexing. By 1963, McLuhan was Director of the Centre for Culture and Technology at the University of Toronto and would be a public intellectual on the international stage for more than a decade, then linked forever to his two best-known coinages: the global village and the medium is the message.
Taken as a whole, McLuhan’s writings reveal a profound coherence and illuminate his unifying vision for the study of language, literature, and culture, grounded in the broad understanding of any medium or technology as an extension of the human body. McLuhan: A Guide for the Perplexed is a close reading of all of his work with a focus on tracing the systematic development of his thought. The overriding objective is to clarify all of McLuhan’s thinking, to consolidate it in a fashion which prevents misreading, and to open the way to advancing his own program: ensuring that the world does not sleepwalk into the twenty-first century with nineteenth-century perceptions. (Source: https://goo.gl/nFofMQ. The format of this book is all text with no illustrations or visual elements.

W. Terrence Gordon is Professor Emeritus at Dalhousie University, Halifax, Nova Scotia, Canada and Part-time lecturer in Linguistics at St. Mary’s University, Halifax. He is the author of the three titles on McLuhan and the editor of the critical editions of his Understanding Media (2003), McLuhanUnbound(2005), and The Classical Trivium: The Place of Thomas Nashe in the Learning of his Time (2006). His McLuhan for Beginners brought him the invitation from the McLuhan family to write his biography: Marshall McLuhan: Escape into Understanding, critically acclaimed in The New York Times and many other sources. Professor Gordon is also the librettist of a multimedia opera about McLuhan.


for Youth Arts, Manifesto, Toronto 2012. Photo by Leah Snyder

2013 THE YEAR OF THE ARTIST: McLuhan’s Musings on the Role of the Artist in Society

Art as Survival Thrival in the Electric Digital Age

“The job of the artist is to upset all the senses and thus provide new vision and new powers of adjusting to and relating to new situations.”

These are the words of Marshall McLuhan given in a lecture at Columbia University way back in 1973 on the theme of “Art as Survival in the Electric Age.”

McLuhan understood the tremendous societal influence that the artist can have when they put action behind their vision.

As we inhabit a world that has truly become the McLuhanian Global Village the isolation that can often accompany strength of vision is being eroded away by technology that allows the artist to connect with their muse, locate their tribe and readily receive affirmation from a participatory audience.

When you mix globalization, democratization of technology and creative minds who see colour where others see gray there is incredible potential for radical shifts.

And more than any other time in history there is a breed of creators who travel past both conceptual and cultural boundaries. A new world is being designed in the minds of artists and assembled by the hands of everyone working together with a shared vision for a different kind of world.

MIXED BAG MAG proclaims 2013 to be the year of the artist. It is the year where the cultural trickster, the music maker, and the one who dances to the beat of a different drum will be the agent of change. [Looking back on 2013, I have to ask -was it? Informed opinions and comments welcomed.]     Source: https://goo.gl/AWvHfV

media painting by Chiko Chazunguza –  Photo by Leah Snyder

“If men were able to be convinced that art is a precise advance knowledge of how to cope with the psychic and social consequences of the next technology, would they all become artists? Or would they begin a translation of new art forms into social navigation charts? I am curious to know what would happen if art were suddenly seen for what it is, namely, exact information oh how to rearrange one’s psyche in order to anticipate the next blow from our own extended faculties.”

For more quotes on art and artists see https://goo.gl/Qd35aE


St. Michael’s College at the University of Toronto introduces the McLuhan Seminar in Creativity and Technology
Offered for the first time in 2018-2019, The McLuhan Seminar is an exploration of the relationship between creativity and technology.Marshall McLuhan (1911-1980), one of the most charismatic and wide-ranging thinkers of the 20th century, taught at St. Michael’s College from 1946 until his death in 1980. The Seminar is inspired by McLuhan’s innovative thinking. First-year students in the Faculty of Arts & Sciencc at the University of Toronto will explore how the humanities relate to other fields of thought in addressing the individual, social, and cultural experiences and effects of technological innovation.

University of Toronto / St. Michael’s College Professor Paolo Granata, an expert on McLuhan’s work, will teach the course, which also includes a one-week international learning experience in Silicon Valley. While visiting some of the legendary global symbols of world-changing innovation and the creative giants of the world’s tech economy, this course will take an experimental approach to the following research question: “How can we make innovation and creativity play a role in the development of humanities research for a critical interpretation of the role of technology in today’s world and in the future?”
The McLuhan Seminar introduces to university-level studies on a small scale, with first-year students who share interest in creativity, technology, and international experience. Students from different disciplines will experiment with interdisciplinary and critical thinking, access path-breaking new research, and engage with some of the most popular, profitable, and recognized sources and sites of human connectivity today.
Ultimately, the McLuhan Seminar in Creativity and Technology will provide students with a toolbox for creative learning and future research connections.
Professor Paolo Granata

Scholarships will be awarded to successful applicants.

What is the course?

SMC155H1, the McLuhan Seminar in Creativity and Technology, is a half-course worth 0.5 credits. It will be offered in Winter 2019. The course consists of lectures, seminar discussions, guest speakers, and a one-week international learning experience in Silicon Valley. Students will explore how creativity makes innovation possible and influences our individual and social responses to technological change.

Possible Course Reading List

Some of the material you’ll be reading could include selections from:

  • Marshall McLuhan’s Laws of Media: The New Science and Take Today: The Executive as Dropout
  • Adam Grant’s Originals: How Non-Conformists Move the World, a book about recognizing good ideas, facing doubt, and choosing how and when to act
  • Walter Isaacson’s bestselling biography Steve Jobs
  • Ashlee Vance’s Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future, a biography that explores the role of inventors and entrepreneurs in the global market
  • Timothy Ferriss’ Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers
  • Silicon Valley (HBO TV series)

Planned Silicon Valley Visit

The course includes a one-week international learning experience in Silicon Valley over Reading Week 2019, February 18 to 22. Students will visit some of the legendary global symbols of world-changing innovation and the creative giants of the world’s tech economy.

Good news. All students admitted to the McLuhan Seminar in Creativity and Technology receive room and board at no cost. Students are responsible for their own airfare and incidentals.

In advance of the trip, enrolled students will receive more detailed information and also safety training and other preparation. Additional information at https://goo.gl/hmVCeY.

About Professor Paolo Granata https://goo.gl/bqF8Wc

Marshall McLuhan(James Joyce to his right), from the William McElcheran sculpture located outside the Kelly Library at St. Michael’s College.



(Click on the image for an expanded view)

As a part of the McLuhan Salons series, this panel discussion will explore the role of public organizations such as universities, civic institutions, and local communities in supporting the urban sustainable development.

Featured speakers:

Siri Agrell, Director of Strategic Initiatives City of Toronto
Jean-Paul Addie, Urban Studies Institute Georgia State University
Kofi Hope, Executive Director CEE Centre for Young Black Professionals

Opening remarks: Paolo Granata, University of Toronto
Moderator: Shauna Brail, University of Toronto

Date & Time: Wednesday, February 7, 2018, 6:30 PM – 8:30 PM (Doors open at 6:15 PM)

Location: Innis Town Hall, Innis College, University of Toronto, 2 Sussex Avenue (near corner of St. George Street & Sussex Avenue)

Jean-Paul Addie is an Assistant Professor in the Urban Studies Institute at Georgia State University. He was previously a Marie Curie Fellow and Lecturer at University College London, and holds a PhD in Geography from York University. Jean-Paul’s current research examines how universities are adapting their institutional structures, pedagogies, and spatial strategies in response to the demands of contemporary urban society. His work on rethinking the urban university has been published in international academic journals including Regional Studies, CITY, and Urban Affairs Review, and in policy reports for UN Habitat and The British Council. You can follow him on Twitter @JP_Addie

Kofi Hope is a Rhodes Scholar, Doctor of Philosophy in Politics, community activist and youth advocate. He has over 15 years of experience in managing community based programs. Kofi was the 2017 winner of the Jane Jacobs Prize, for his work improving the City of Toronto. In 2005 he founded the Black Youth Coalition Against Violence, a group which advocated for real solutions to the issue of gun violence. This advocacy work included a presentation for then Prime Minister Paul Martin and led to him being named one of the Top Ten People to Watch in Toronto in 2006 by the Toronto Star. Currently he is the Executive Director of the CEE Centre for Young Black Professionals (CEE) a non-profit which creates economic opportunities for Black youth in Toronto. He has delivered over 100 speaking engagements in Canada and the UK, was co-chair of Olivia Chow’s election advisory committee in 2014 and is a member of the Board of Directors for the Atkinson Foundation and Toronto Environmental Alliance. Kofi has been featured widely in the Canadian media including: Metro Morning, Canada AM, TVO’s The Agenda, Ontario Today, The Toronto Star, The Globe and Mail, The National Post and CP24. A global traveler he has visited 22 countries around the world and calls Toronto Ontario home.

* * * * *

The McLuhan Salons series is an initiative of the St. Michael’s College in the University of Toronto, in conjunction with the Estate of Marshall McLuhan and several high-level academic and cultural institutions, and generously supported by the William and Nona Heaslip Foundation.

The McLuhan Salons aims to position the city as instructive in rethinking the larger interconnected global village, looking for metaphoric meanings of our urban homes and communities in a “classroom without walls”.
Each McLuhan Salon will be open to the public, will commence with moderated probative discussion within a panel of top leaders and thinkers, and will engage the audience.


The Medium Is the Message

Broadcast on BBC Radio 4, January 20, 2018, 8PM (3 PM EST North America)

Generation X author Douglas Coupland explores the ideas, sound, and vision of media seer Marshall McLuhan who in the 1960s coined the phrases “the medium is the message” and “the global village”.

Marshall McLuhan was the first great prophet of what would become digital mass media and indeed the global media village – a thinker and writer of near supernatural foresight.

Trained as a literary scholar, throughout his career McLuhan not only examined the relationship between form and content in the media itself, offering dazzling arguments for the importance of medium over content, but anticipated the very idea of online networks, virtual reality, multiple interfaces, social media and most importantly of all, how new technologies rewire us by stealth, endlessly transforming our identities and our communities. “We shape our tools and thereafter our tools shape us,” he said [Correction: The phrase was coined by John Culkin, SJ but represented an idea originated by McLuhan.]

Drawing on cutting-edge thinking about networks and cybernetics, McLuhan foresaw a fully wired, connected world, which would bring to an end the isolated consumption of print. New cross-border (effectively online) communities would form, breaking old political barriers, creating genuinely new kinds of electronic identity. But with this McLuhan offered a warning: older ideas of privacy and the self would evaporate under new media he said, leading to the rise of what he called ‘discarnate’ man – the lost, disembodied user extended across an unrelenting, unforgiving electronic global nervous system.

McLuhan’s ideas seem more prescient than ever. As Douglas Coupland puts it: ‘The future has never happened so quickly, to so many people, in such an extreme way – just as Marshall predicted, an uncanny prophet of our own digital age.’

Contributors include novelist Tom McCarthy, DJ Spooky, Andrew McLuhan, biographer Philip Marchand, the media theorists Shannon Mattern and Bernard Dionysus Geoghegan, Zak Kyes the graphic designer, philosopher James Garvey, filmmaker Jonathan Meades and former network engineer Tung-Hui Hu, who has written on McLuhan and 1970s guerrilla television.

Presenter: Douglas Coupland
Producer: Simon Hollis                                                                                                                     Brook Lapping production for BBC Radio 4.

Source https://goo.gl/Yo7J5r

LISTEN TO THE 57 Minute Radio PROGRAM HERE: https://goo.gl/WVoFJj

Douglas Coupland


Superman, Supergirl & Krypto (Art by Curt Swan, 1962)

McLuhan’s Cool Comics

by Guy Leshinski   –   Sept. 28, 2005

In his first book, 1951’s The Mechanical Bride, McLuhan reproached the Man of Steel, calling Superman’s crime-fighting tactics “the strong-arm totalitarian methods of the immature and barbaric mind.” He was more favourable a few years later when surveying the medium as a whole. He devoted an entire chapter of his seminal book Understanding Media: The Extensions of Man to unpacking the intangible ways comics ape and infect our culture. (Marymount Manhattan College professor Kent Worcester and Toronto writer Jeet Heer include this chapter in their erudite anthology
Arguing Comics.)

 Superman Cover, Oct. 1967

McLuhan saw comics as extensions of the woodcut and photographic media, “a world of inclusive gesture and dramatic posture.”

“[T]he modern comics strip and comic book,” he wrote, “provide very little data about any particular moment in time, or aspect in space, of an object. The viewer, or reader, is compelled to participate in completing and interpreting the few hints provided by the bounding lines.” These are qualities of what McLuhan termed “cool” media, lo-fi creations that force us to fill in the blanks. They contrast with “hot” media like film, which make the viewer “a passive consumer of actions.” Comics, in his words, are cool.

He scrutinized Mad magazine, which, at the time Understanding Media was published in 1964, was hitting its stride as an agent of screwball subversion. To McLuhan, Mad was “a ludicrous and cool replay of the forms of the hot media of photo, radio and film.”

Mad is a kind of newspaper mosaic of the ad as entertainment, and entertainment as a form of madness.” It exploited the fact that ads, according to McLuhan (who considered Hollywood movies ads for popular culture), were “not meant for conscious consumption,” so that “any ad consciously attended to is comical.”

“The comic strip and the ad, then, both belong to the world of games, to the world of models and extensions of situations elsewhere.”

McLuhan clearly had a soft spot for funnybooks. He contrasted the genteel fine-art world with popular art like comics, “the clown reminding us of all the life and faculty that we have omitted from our daily routines.” He saw in Al Capp’s classic strip Li’l Abner and its “predicament of helpless ineptitude” a “paradigm of the human situation, in general.” And he cautioned that the rise of television, an even more inclusive medium, devalued comics as purveyors of far-flung drama.

All this came decades before the growth of the graphic novel and the Western embrace of comics stories and techniques from France, Japan and elsewhere. McLuhan studied the nascent comic form, its melding of words and pictures, divorced from its content — which he argued was a medium of its own.

In this way, comics haven’t changed in the time since McLuhan published his definitive works. His theories are as provocative to the comics fan as they are to the technophile, even if, like the medium itself all these years, his writing on comics is mostly ignored. (Source: https://goo.gl/2M1Uqu)

**********

The best book by far for understanding comics is Scott McLeod’s Understanding Comics: The Invisible Art (1993), which was, as acknowledged by its title, influenced by Marshall McLuhan.

Understanding Comics: The Invisible Art is a comic (a graphic novel technically) on everything about comic. First published in 1993, it is one of the most famous works of Scott McCloud, American comic artist and author. In this book, McCloud digs deep into almost all comic aspects: the history, vocabulary, the underlying principles, the various elements and how they work. It presents detailed graphical explanation on comics as a form of art and communication medium.

Since its publication, Understanding Comics has gained huge success commercially and critically. Well-known comic and graphic novel authors and artists such as Neil Gaiman, Will Eisner, Alan Moore, Garry Trudeau, and Art Spiegelman expressed their praises for this seminal work of McCloud’s.

Providing abundant knowledge into the world of comic (and graphic novel), from the definitions, history, technicalities, theories, methods, concepts, styles, elements, and many others, Scott McCloud’s Understanding Comics: The Invisible Art has become one of the most important and influential works in the modern comic industry.    ( https://goo.gl/9Z89xJ )

Here’s a sample of the book’s approach as read aloud by a Mr. Koch:

Part I of Scott McCloud’s “Understanding Comics.”


The following is from an essay by a former student of Ong, Dr. Thomas J. Farrell, as an introduction to Ong’s thought and body of scholarship by way of prefacing this last book of his former teacher. Follow this link read Dr. Farrell’s whole essay  https://goo.gl/FBC7sZ.

Ong’s incomplete sixth book-length study has now been posthumously published as the book Language as Hermeneutic: A Primer on the Word and Digitization, edited by Thomas D. Zlatic and Sara van den Berg (Cornell University Press, 2017). Just to be clear, hermeneutic means interpretation. Ong left the incomplete manuscript in the Ong archives at SLU [Saint Louis University]. Professors Zlatic and van den Berg retrieved the incomplete manuscript from the Ong archives and edited it for publication, with an editorial apparatus to assist readers. This book is a primer in Ong’s thought. As a primer, it could be titled Ong for Dummies. As a primer in his thought, it could serve as a gateway for new readers to enter into the rich world of Ong’s thought in his 400 or so publications.

Professor Zlatic received his Ph.D. in English from SLU in the 1970s. Over the years, he has published numerous essays in which he draws on Ong’s thought, including “Faith in Pretext: An Ongian Context for [Melville’s] The Confidence-Man” in the book Of Ong and Media Ecology (Hampton Press, 2012, pages 241-280). In Ong’s posthumously published book, Zlatic supplied the three essays “Language as Hermeneutic: The Evolution of the Idea and the Text” (pages 123-146), “Language as Hermeneutic: An Unresolved Chord” (pages 147-180), and “Picturing Ong’s Oral Hermeneutic” (pages 195-201).

Professor van den Berg is currently a professor of English at SLU. She is the senior editor with Thomas M. Walsh of SLU of the book Language, Culture, and Identity: The Legacy of Walter J. Ong, S.J. (Hampton Press, 2011). She supplied the introduction to Ong’s posthumously published book (pages 1-8).

Perhaps I should explain that for years Fr. Ong suffered from Parkinson’s disease. At about the same time, Pope John-Paul II also suffered from it. I imagine that Ong’s decision to stop working on the drafts that Professors Zlatic and van den Berg have collated and edited for publication was based on the impact of Parkinson’s on him. In general, Ong loved to revise whatever he was writing. For him, revision was a labor of love. But the devastating impact of Parkinson’s undoubtedly made this labor of love unsustainable.

Language as Hermeneutic: A Primer on the Word and Digitization

By Walter J. Ong, SJ

Edited & with Commentaries by Thomas D. Zlatic & Sara van den Berg

Cornell University Press

Language in all its modes—oral, written, print, electronic—claims the central role in Walter J. Ong’s acclaimed speculations on human culture. After his death, his archives were found to contain unpublished drafts of a final book manuscript that Ong envisioned as a distillation of his life’s work. This first publication of Language as Hermeneutic, reconstructed from Ong’s various drafts by Thomas D. Zlatic and Sara van den Berg, is more than a summation of his thinking. It develops new arguments around issues of cognition, interpretation, and language. Digitization, he writes, is inherent in all forms of “writing,” from its early beginnings in clay tablets. As digitization increases in print and now electronic culture, there is a corresponding need to counter the fractioning of digitization with the unitive attempts of hermeneutics, particularly hermeneutics that are modeled on oral rather than written paradigms.

In addition to the edited text of Language as Hermeneutic, this volume includes essays on the reconstruction of Ong’s work and its significance within Ong’s intellectual project, as well as a previously unpublished article by Ong, “Time, Digitization, and Dalí’s Memory,” which further explores language’s role in preserving and enhancing our humanity in the digital age.

For a Table of Contents, Reviews &Detailed Information see the Cornell University Press page at https://goo.gl/t4NQ5N.

Walter J. Ong (1912–2003) taught at Saint Louis University for thirty years. His many books include Orality and Literacy, Rhetoric, Romance, and Technology; Interfaces of the Word; and Fighting for Life, the latter three from Cornell University Press.

Thomas James Farrell is professor emeritus of writing studies at the University of Minnesota Duluth (UMD). He started teaching at UMD in Fall 1987, and he retired from UMD at the end of May 2009. He is the proud author of the book Walter Ong’s Contributions to Cultural Studies: The Phenomenology of the Word & I – Thou Communication (Cresskill, NJ: Hampton Press, 2000; 2nd ed. 2009, forthcoming).


Marshall McLuhan & Walter Ong seated to his left

By Nick Ripatrazone   –   Dec. 27. 2017

“I make probes,” wrote Marshall McLuhan. “I don’t explain—I explore.” In 1967 he published The Medium Is the Massage, an eccentric journey into how our senses experience electric media. That same year, Walter Ong, S.J.—whose graduate thesis adviser happened to be McLuhan—released The Presence of the Word, a dense but visionary take on our evolution from oral to electronic communication. Also in 1967 Andy Warhol created a silkscreen portfolio of Marilyn Monroe. “The more you look at the same exact thing,” Warhol said, “the more the meaning goes away, and the better and emptier you feel.”

McLuhan, Ong and Warhol offered a profound vision of media, a Catholic vision. Their Catholicism was not incidental to their theories and their art; it was their structure, their spirit and their sustenance. Fifty years later, their simultaneous creations feel somehow both particular to their moment and prescient. We might even call them transcendent.

All oracles must divine from somewhere, and McLuhan’s source was Pierre Teilhard de Chardin, S.J. Teilhard had conceived of the “noösphere,” an evolutionary phase in which a “thinking skin” covers the world. This “stupendous thinking machine” of a collective consciousness sounds much like a biological internet. Now imagine how Teilhard’s wild theory sounded to an academic like McLuhan, a literary scholar seeking patterns and connections in the history of media and communication…
……….

Unlike McLuhan, Ong is primarily concerned with the mode of sound: “The electronic processes typical of today’s communications world are themselves of their very nature infravisible—not even truly imaginable in terms of sight.” Although the electronic age awakened us to the profound differences between the “old oral culture and the culture initiated with writing and matured with alphabetic type,” he channels McLuhan to say that “simultaneity is a mark of both early oral culture and of electronic culture Primitive life is simultaneous in that it has no records, so that its conscious contact with its past is governed by what people talk about.”

Our digital world is simultaneous, absolute, overwhelming in possibility. What does that mean for communion with others? “The fragmentation of consciousness initiated by the alphabet has in turn been countered by the electronic media which have made man present to himself across the globe, creating an intensity of self-possession on the part of the human race which is a new, and at times an upsetting, experience. Further transmutations lie ahead.”

……….
 
McLuhan &Warhol

Warhol surrounded himself with Catholic artists, photographers, poets and managers: Fred Hughes, Gerald Malanga, Paul Morrissey, Bob Colacello, Natasha Fraser-Cavassoni, Christopher Makos, Robert Mapplethorpe and Vincent Fremont. The same year he created the “Exploding Plastic Inevitable” spectacles, Warhol created a silkscreen series of Marilyn Monroe. The portfolio’s varying shades and colors take an endlessly recycled face and imbue transformative life. There is something vaguely liturgical in Warhol’s recursive method.

This is not to say that such pop work was devotional; Warhol saved that for his Last Supper sequence. Alexandre Iolas commissioned Warhol to create a series based on Leonardo da Vinci’s famous work. For an artist who had made the mundane mystical—think soup cans and soda bottles—this was a different context. It was a print masterpiece resurrected, an artistic word made flesh: draped in camouflage, silkscreened, infused with layers of pop and piety. Warhol created over 100 takes on Leonardo’s creation, his repetition suffused with the rhythm of prayer. McLuhan did not live to see it, but he would have appreciated it”…

These are 3 segments from a longer article which you should read in full at: https://goo.gl/cdivuE.

See also the following on this blog:-

Teilhard de Chardin’s Concept of Noosphere & His Influence on Marshall McLuhan  – https://goo.gl/VXmaKr

McLuhan & Ong on the Cultural Shift From Orality to Literacy – https://goo.gl/Wix5Ak

Andy Warhol & Marshall McLuhan: The Artist & the Visionaryhttps://goo.gl/7S6tKn


Marshall McLuhan, his mother Elsie and younger brother Maurice (“Red”)

Some say that ever ‘gainst that season comes
Wherein our Saviour’s birth is celebrated,
This bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad,
The nights are wholesome, then no planets strike,
No fairy takes, nor witch hath power to charm,
So hallow’d and so gracious is the time.

– Marcellus to Horatio and Bernardo, after seeing the Ghost: (Hamlet, I, i)
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Gutenberg Man at leisure – Books, the Toronto Star & a Canadian beer in its stubby bottle